New X-Men: E is for Extinction
Author: Grant Morrison | Illustrator: Frank Quitely / Ethan Van Sciver
"...[G]allows humor is currently the only thing keeping us sane."
Both Morrison and Quitely are fully deserving of inclusion in the collection, together they've produced some excellent work (DC's All-Star Superman is a good example), but E for Extinction is neither man's best work; in fact, it's probably some of their worst.
The book's cover neglects to mention that artist Ethan Van Sciver also contributed; he illustrated a full one quarter of the content. I'm not familiar with his work elsewhere, but here his art is detailed and dynamic, and his version of Beast in his current form is excellent.
It's a thin volume, just four issues, but should really have been only three because it's a three-part story. The fourth issue does keep continuity but feels like it doesn't belong, like it should've been moved to the next volume in order to preserve the completeness of this one. I suspect it was added to boost the page count, which, as you'll see, is something that Volume 24 had plenty of already.
The ongoing series having the word 'New' added to its title wasn't the only new thing to happen: it was Grant Morrison's first issue; Professor X got a new sci-fi toy to play with; it was almost the beginning of a new school term; and the team got a new member, which feels rushed and is accepted all too quickly by the remainder of the team, namely Cyclops, Jean, Wolverine and Beast.
A similar criticism can be applied across the board, with many of the major events hurried and failing to make the impact they deserve.
One example is when a lot of people die; because the build-up was lacking I'd no connection to them whatsoever and didn't feel anything when they were snuffed out. It was like crossing items off a list.
I had just as many problems with the relationship side of things. Wolverine and Cyclops cooped up together in a small space had the kind of strained atmosphere you'd expect, but elsewhere a few people were doing things that felt unnatural and forced.
One of the major scenes involves such an action, but the others accepted it when in reality they should've been almost enraged. As it is, they felt false and it pushed me even further away from caring about the plight of those affected. I'm all for changing the X-Men formula because I consider them a boring bunch a lot of the time, but I just wasn't able to connect with what we got.
The book collects together New X-Men #114-117.
Verdict:
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