Volume 29: The Ultimates: Homeland Security

The Ultimates: Homeland Security

Author: Mark Millar  |  Illustrator: Bryan Hitch

"Why would she put up with that?"
"I don't know. Why would anyone?"

By the end of Volume 1 Millar had taken steps in setting up a real opportunity to tackle a subject that needed to come out from behind closed doors. He could've did it in a powerful and sensitive way, but for some reason he pushed it aside too soon and instead exploded the main story into a boring three and a half issue battle with some pretend Nazis. I was bored out of my mind by the end.

I'd be interested to know why he ignored such a prime opportunity. Was it his idea to neglect it? Or maybe his editor's? Was there a more satisfying draft that got rejected? Or did he just get bored and decide to blow shit up because it's the easy way out? So many questions.

Conversely, if lengthy combat scenes like the one at the end of The Avengers (2012) movie is something you enjoy, then maybe you’ll get even more jollies from Volume 2 than you did from Volume 1.

Prior to the mind-numbing events, Hawkeye gets an action scene and proves how problematic a character he is to write for; there's not much you can do with a guy whose superpower is the ability to magically not run out of arrows. He's teamed with Black Widow, a lady with a similarly limiting condition. It played out fine, regardless, but it felt like it was forced into the narrative just to give the pair something meaningful to do. Hawkeye has his own current title but I've not read it; I wonder how he fares in it.

The addition of two guests from another title seemed superfluous, unless Millar was setting up something that he'd develop further in Ultimates 2. But, because I don't have the subsequent books, I don't know if that was the case. I'd hate to think it was pointless fan-service or in place simply to undermine the main team dynamic.

At almost every turn Homeland Security left me wondering about things that were outside of the story; but it wasn't in a pleasing 'food for thought' kind of way, it was the less enjoyable 'I wonder would something else be better than this?' kind of way.

The book collects together The Ultimates #7-13.

Verdict:

Volume 28: The Ultimates: Super-Human

The Ultimates: Super-Human

Author: Mark Millar  |  Illustrator: Bryan Hitch

"Listen, I'm really sorry about breaking your nose back there, General Fury."
"Take it easy... This nose has been smashed more times than Robert Downey Jr."

The team with the modest name are like an Ultimate Universe version of the Avengers. (See Spider-Man post if you need Ultimate Universe info.) It's not a typical origin story; it's more of a recruitment story.

General Nick Fury of S.H.I.E.L.D. (who was comic book Sam Jackson years before real life Sam Jackson was movie Nick Fury) puts together a team of the best and brightest superheroes he can find because he fears an attack on the U.S. by some as yet unknown super villain(s); he's the ultimate paranoid Boy Scout. There's only one problem with that strategy: they've got no one to fight.

When that many egos are gathered together in one place some members of the team begin to get anxious.

Millar's heroes are part warrior, part pawn and part celebrity in a world not unlike our own. I was a little annoyed by the many references to the real world he kept throwing in. Some of it was blackly humorous (I think he was mocking the kind of sad individual that believes name-checking celebrities will grant them some kind of enviable social status) but mostly it was just irritating, and is the thing that will cause the book to feel most dated the further we're removed from the pop culture events mentioned.

It's a good thing Millar was able to balance it out with some excellent pacing elsewhere, and some fast but deep character developments.

His style is as cinematic as they come. In fact, both the first Captain America and Avengers films stole large chucks of his story for their scripts, and all they gave him was a thank you in the screen credits.

Bryan Hitch's artwork is great, and some clever use of thick shadows by colourist Paul Mounts means it isn't ruined by the digital colouring techniques.

The book collects together The Ultimates #1-6.

Verdict: